В начале 2004 года Фонд культуры "Е

В начале 2004 года Фонд культуры "Екатерина" в Монако устроил выставку "между Сезанном и авангардом", где были представлены произведения в основном из частных коллекций. Вообще отношения между "Бубновым валетом" и авангардом форм очень размыты. Позтому порой в рядах признанных бубнововaлетцев неожиданно могут оказаться и Малевич, и Кандинский, и Попова, и Татлин, даже О. Розанова и более поздние их последователи. Мощь и масштаб "Бубнового валета" без всякого напряжения позволяют делать подчас диаметрально противоположные обобщения. Затем выставка "Бубновый валет" в русском авангарде" состоялась Санкт-Петербурге, в Русском музее. Здесь бубновалетцы как бы составляют часть русского авангарда, что вполне правомерно и в то же время не бесспорно. Наконец, в Москве, Третьяковской галерее, решили не мудрствовать и назвали выставку просто - "Бубновый

Результаты (английский) 1:

At the beginning of the year 2004 "Ekaterina Cultural Foundation" in the Principality of Monaco hosted the exhibition "between Cezanne and avant-garde", where works were presented mainly from private collections. In general the relationship between "Bubnovym j" and avant-garde forms very blurred. So sometimes in the ranks of recognized bubnovovaletcev may be unexpectedly and Malevich and Kandinsky, and Popov, and Tatlin even o. Rozanova and later their successors. Power and scale of the Jack "without any tension you can do sometimes diametrically opposed generalizations. Then Jack of diamonds exhibition at the Russian Vanguard was St. Petersburg, in the Russian Museum. Here bubnovaletcy how would form part of the Russian avant-garde, which is quite rightly and at the same time not indisputable. Finally, the Tretyakov Gallery in Moscow, decided not to mudrstvovat' and named the exhibition simply "Jack

Результаты (английский) 2:

In early 2004, the "Ekaterina" Cultural Foundation in Monaco organized the exhibition "garde", presenting works mainly from private collections. In general, the relationship between the "Jack of Diamonds" and avant-garde forms very blurred. Therefore it can sometimes recognized in the ranks bubnovovalettsev can suddenly appear and Malevich and Kandinsky, and Popova and Tatlin even O. Rozanova and later their successors. The power and scope of "Jack of Diamonds" without any tension allow you to do sometimes diametrically opposed generalizations. Then the exhibition "Jack of Diamonds" in the Russian Avant-garde "held St. Petersburg in the Russian Museum. It bubnovalettsy how would form part of the Russian avant-garde, which is quite legitimate, and at the same time is not certain. Finally, in Moscow, the Tretyakov Gallery, decided not to philosophize and an exhibition called simply - "The Jack

Результаты (английский) 3:

in early 2004, the cultural foundation "catherine" in monaco made the exhibition "between сезанном and avant-garde", which features works mainly from private collections. actually the relationship between the "square jack" and avant-garde forms of very diffuse. so sometimes in the recognized бубнововaлетцев may suddenly be and malevich, kandinsky, and popov, and татлин, even. rozanova and later their followers. the power and scope of "the jack of diamonds jacks" without any voltage allow do sometimes diametrically opposed synthesis. then the "jack of diamonds" in the russian vanguard "was held in st. petersburg, in the russian museum. here бубновалетцы would form part of the russian avant garde, quite rightly, and at the same time it is. finally, in moscow, the tretyakov gallery, decided not мудрствовать and called the just - "diamonds