К произведению старого искусства пр

К произведению старого искусства правомерно подходить как к предмету дешифровки, пытаясь выявить особый язык художественных приемов, то есть специальную систему передачи того или иного содержания на плоскости картины. Трудности подобной дешифровки определяются тем обстоятельством, что нам обычно не известны с достаточной полнотой не только приемы выражения, но и само содержание древнего изображения. При этом ключевое значение в расшифровке языка (или языков) средневековой живописи -- значение, которое правомерно, пожалуй, сравнить с ролью билингв (двуязычных текстов) при лингвистической дешифровке, -- имеют произведения иконописного мастерства. Этому способствует... прежде всего сама каноничность иконописи, строгая ограниченность сюжетов и композиций, их иконографическая определенность, наличие образцов, по которым из века в век писались те или иные сюжеты.

Результаты (английский) 1:

To the work of the old art rightly treated as to the subject matter of deciphering, trying to identify the particular language of artistic techniques, i.e. a special communication system or that the content on the plane of the painting. Such difficulties of deciphering is determined by the fact that we usually are not known with sufficient completeness of not only the techniques of expression, but also the content itself of the ancient images. When the key value in deciphering the language (or languages) of medieval painting-value that rightfully, perhaps, to compare the role of bilingual (bilingual texts) in linguistic interpretation, are the works of ikonopisnogo skill. This is facilitated by ... first and foremost, the canonicity of itself painting a strict limited subjects and compositions, their iconographic certainty the existence of samples on which for centuries were those or other subjects.

Результаты (английский) 2:

To the product of the old art legitimately treated as a subject of decryption, trying to identify the specific language of artistic techniques, that is a special transmission system or that the content on the plane of the picture. The difficulties of such decryption are determined by the fact that we do not usually known in sufficient detail not only the methods of expression, but also the content of the ancient image itself. At the same time the key to deciphering the language (or languages) of medieval art - a value that is legitimate, perhaps, compared with the role of bilingual (multilingual texts) for the linguistic decipherment - are works of icon painting skills. It is promoted above all ... very canonical iconography strictly limited subjects and compositions, their iconographic certainty, the presence of the samples, which for centuries were written certain scenes.

Результаты (английский) 3:

the product of the old art is treated as the subject of interpretation, trying to identify the particular language artistic techniques, there is a special system for the transfer of one or the other of the picture plane. the difficulties of such interpretation is the fact that we are usually not known with sufficient range, not only the techniques of expression, but also the content of the image. the key to deciphering the language (or languages) of medieval painting - - value, which is, perhaps, to compare with the role of билингв (bilingual texts) in linguistic дешифровке, are works of иконописного skill. this contributes to the... the primary каноничность icons, the strict limitations of plots and compositions, their иконографическая certainty, the availability of samples for which ages писались those or other elements.