Я люблю перевод онлайA: Now, I'd ju

Я люблю перевод онлайA: Now, I'd just like to say that Walt Disney has dominated the cartoon greatly. To many people in the thirties — and that was the golden age of the cartoon — to many people then and since the cartoon has simply meant W.Disney's work.

B: Well, you have a point here, but I am not so sure about the golden age of the cartoon. I think many cartoons of later years have much more interesting plots and technique.

A: Perhaps. But don't you think that Disney's shorts have care­fully worked out plots, sometimes very neat? They are not simply a string of violent gags, in the style of later American cartoons. Well, you see what I mean.

B: Yes, I agree entirely here. There is a reassuring, homely qual­ity about his shorts founded on the resemblances between the ani­mal and the human world.

A: I couldn't agree more. His animal characters are actually hu­man beings in disguise and they behave like recognizable individ­uals.

B: That's exactly what I think. Mickey is the quiet little chap, who at the end of the race has outdistanced his more spectacular rivals. He and Minnie both, are the innocents who triumph over the wicked world.

A: Yes, that's true. That's my way of looking at it too. Donald Duck always flies into spluttering indignant passion. Pluto and Goofy are not too bright but both have hearts of gold and meet the world with a bewildered and bewildering enthusiasm. Disney in fact has presented the world of the average American, preaching a moral, giving a message of optimism, of success.

B: You may be right, but I think it goes further than that, a lot further. His stories end happily, the characters are essentially good fellows, the violence is not too extreme, cruelty and tragedy are ex­cluded. Any satire is more than gentle. This imitation world is pre­sented with supreme technical competence and the various fac­tors are blended to comfort and soothe the audience, to give it something easy and undemanding.

A: I see what you mean, but there are potentially cruel and dan­gerous characters in Disney's longer films. There is a case of "Snow White" having been given an "X" certificate. I myself have known children terrified by "Pinocchio". Perhaps what frightens them are situations in which the child hero or heroine is in danger or being ill-treated.

B: What you say's perfectly true. But all the same W. Disney's films are readily accepted by mass audiences conditioned to the Disney philosophy. All I know is that these films are very senti­mental though they have been widely popularн

Результаты (английский) 1:

I love onlajA translation: Now, I'd just like to say that Walt Disney has dominated the cartoon greatly. To many people in the thirties — and that was the golden age of the cartoon is to many people then and since the cartoon has simply meant w. Disney's work.B: Well, you have a point here, but I am not so sure about the golden age of the cartoon. I think many cartoons of later years have much more interesting plots and technique.A: Perhaps. But don't you think that Disney's shorts have care fully worked out plots, sometimes very neat? They are not simply a string of violent gags, in the style of later American cartoons. Well, you see what I mean.B: Yes, I agree entirely Christian here. There is a reassuring, homely qual ity about his shorts co-founded on the resemblances between the ani-mal and the human world.A: I couldn't agree more. His animal characters are actually hu man beings in disguise and they behave like recognizable individ uals.B: that's exactly what I think. Mickey is the quiet little chap, who at the end of the race has outdistanced his more spectacular rivals. He and Minnie both, are the innocents who triumph over the wicked world.A: Yes, that's true. That's my way of looking at it too. Donald Duck always flies into indignant spluttering passion. Pluto and Goofy are not too bright but both have hearts of gold and meet the world with a bewildered and bewildering enthusiasm. Disney in fact has presented the world of the average American, preaching a moral, giving a message of optimism, of success.B: You may be right, but I think it goes further than that, a lot further. His stories end happily, the characters are essentially good fellows, the violence is not too extreme, cruelty and tragedy are ex cluded. Any satire is more than gentle. This world is imitation pre is sented with supreme technical competence and the various fac tors are blended to comfort and soothe the audience, to give it something easy and undemanding.A: I see what you mean, but there are potentially cruel and dan gerous characters in Disney's longer films. There is a case of "Snow White" having been given an "X" certificate. I myself have known children terrified by "Pinocchio". Perhaps what frightens them are situations in which the child hero or heroine is in danger or being ill-been pre-treated.B: What you say's perfectly true. But all the same W. Disney's films are readily accepted by mass audiences air-conditioned to the Disney philosophy. All I know is that these films are very senti mental though they have been widely popularn

Результаты (английский) 2:

I love translating onlayA: Now, I'd just like to say that Walt Disney has dominated the cartoon greatly. . The To MANY people in the thirties - and That WAS the golden age of the cartoon - to MANY people the then and since has the cartoon Simply Meant W.Disney's work

Bed and: the Well, you have a point found here, But I of am not sure the SO about the golden age of the cartoon. MANY cartoons of think I of of later years have much more interesting plots and technique.

A: Perhaps. But do not you think that Disney's shorts have carefully worked out plots, sometimes very neat? They are not simply a string of violent gags, in the style of later American cartoons. The Well, you see what I of mean.

Bed and: Yes, I of agree Entirely found here. Is a is reassuring There, homely quality about a His founded the shorts on the resemblances Between the animal and the human world.

A: I of Could not agree more. The characters are animal a His Actually human beings in disguise and for They behave like recognizable Individuals.

Bed and: That's exactly what I of of think. Mickey is the quiet little chap, who at the end of the race has outdistanced his more spectacular rivals. Both Minnie and the He, the who are the innocents over the triumph's a wicked world.

A: Yes, That's to true. That's my way of looking at it too. Donald Duck always flies into spluttering indignant passion . Pluto and Goofy are not too bright but both have hearts of gold and meet the world with a bewildered and bewildering enthusiasm. Fact has in the Disney Presented the world of the time average American, preaching a moral, giving scene a the message of optimism, of by success.

Bed and: You may the BE right, But I of of think IT goes Further than That, a lot Further. His stories end happily, the characters are essentially good fellows, the violence is not too extreme, cruelty and tragedy are excluded. Any satire is more than gentle. This imitation world is Presented with supreme Contents Technical Competence and the Various Factors are blended to comfort and soothe the 'audience, to give IT something the easy and undemanding.

A: I of see what you mean, But there are Potentially a cruel and dangerous the characters in the Disney's longer a films . There is a case of "Snow White " having been given an "X" certificate. I myself have known children terrified by " Pinocchio". . Perhaps what frightens Them are of situations in the which the child the hero of heroine or is in danger or ill-being of Treated

Bed and: for What you say The's perfectly to true. But all the same W. Disney's films are readily accepted by mass audiences conditioned to the Disney philosophy. All I know is that these films are very sentimental though they have been widely popularn

Результаты (английский) 3:

i love translation онлайA: now, i 'd just like to say that walt disney has in the cartoon greatly. to many people in the thirties - and that was the golden age of the cartoon is to many people then and since the cartoon has a more W.Disney's work.b: well, you have a point here, but i am not so sure about the golden age of the cartoon. i think the fun of later years have much more interesting plots and technique.a: perhaps. but don't you think that disney's shorts have care­fully worked out plots, sometimes very neat? they are not simply a string of violent gags, in the style of later american fun. well, you see what i mean.b: yes, i agree entirely here. there is a reassuring, at about the qual­ity is one on the resemblances between the ani­mal and the human world.a: i couldn't agree more. the animal characters are actually hu­man beings in disguise, and they behave like recognizable individ­uals.b: that 's exactly what i think. mickey is the quiet little chap, who at the end of the race has outdistanced his more spectacular rivals. he and minnie both, are the innocents who triumph over the wicked world.a: yes, that's true. that's my way of looking at it too. donald duck always flies into spluttering indignant passion. Pluto and Goofy are not very bright, but both have hearts of gold and meet the world with a bewildered and bewildering enthusiasm. disney in fact has presented the world of the average american, preaching a well, giving a message of optimism, of success.b: you may be right, but i think it goes further than that, a lot further. his stories end happily, the characters are essentially good fellows, the violence is not too extreme, or and tragedy are ex­cluded. any subject is more than exceptional. this imitation world is pre­sented with supreme technical competence and the various fac­tors are blended to comfort and soothe the audience, to give it something easy and undemanding.a: i see what you mean, but there are also cruel and dan­gerous characters in disney's worst films. there is a case of "snow white" having been given an "x" certificate. i myself have known children terrified by it's pinocchio's. perhaps what frightens), situations in which the child hero or heroine is in danger or being ill treated.b: what you say it's perfectly true. but all the same w. disney's films are philology accepted by mass audiences conditioned to the disney culture. all i know is that these films are very senti­mental though they have been widely popularн