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Identifies the fact that Bruce's poetry and his associates in the era of the first Russian Revolution full of political intentions. On the one hand, there is a call to artistic freedom, and on the other hand, lack of confidence in the soundness of the movement of the masses. Historical distance allows you to appreciate the literary and art and political poetry, Intertextuality of the beginning of the twentieth century, not only in the development of the arts, but also in its project on globalization processes that unfolded in the late twentieth and early twenty-first century.Keywords: Intertextuality, political discourse, aesthetic concept, poetry, Russian Symbolist, bryusov, the first Russian Revolution, pre-text, creativity, symbolism, aesthetic perception, political movement, political intentions, art.
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