Материнский символ страны является

Материнский символ страны является значимым элементом российской политической культуры. Для подтверждения собственной легитимности власть использует идею иерогамии, священного брака «России-Матушки» и правителя,[1] который представлен в качестве её защитника от угрожающих ей врагов, внешних и внутренних. Политическая оппозиция, в свою очередь, привлекает образ Родины, страдающей от произвола власти, которая объявляется неправедной и зачастую национально чуждой (например, в народничестве XIX века).[2]

Результаты (английский) 1:

The maternal character of the country is a significant element of Russian political culture. In order to confirm its own legitimacy, power uses the idea of the ierogamii, the sacred marriage "mother Russia" and the ruler, [1] which appears as her protector from threatening her enemies, internal and external. The political opposition, in turn, attracted by the image of the motherland, which is suffering from the arbitrariness of the authorities, which is declared to be unjust and often national alien (for example, in the narodničestve of the 19th century). [2]

Результаты (английский) 2:

Mother symbol of the country is an important element in Russian political culture. To confirm his legitimacy authority uses the idea hierosgamos, sacred marriage "Mother Russia" and the governor, [1] which is presented as the defender of her threatening her enemies, foreign and domestic. The political opposition, in turn, draws the image of the motherland, suffering from the arbitrary power which declared unjust and often alien to the national (eg in the populism of the XIX century). [2]

Результаты (английский) 3:

as a symbol of the country, is the important part of russian political culture. to confirm its legitimacy power uses иерогамии, holy matrimony "russia - матушки» and ruler[1], which presented as her protector from threatening her enemies, foreign and domestic. the political opposition, in turn, draws the image of motherland by arbitrary power.which is неправедной often national and foreign (e.g., народничестве xix century) [2].