Допустим на тенях, там вообще друга

Допустим на тенях, там вообще другая техника на веках. Там, где надо плотно, начерно прокрасить. Но даже если это, допустим, серый графитовый какой-то пигмент, все равно надо прокрасить плотно. Поэтому игла находится в коже постоянно. Не совершает лишние движения, ну чтобы зря не травмировать кожу.
Такие небольшие вертикальные движения чуть наискосок от носа – они не создадут четкой границы внешней.
Главное, чтобы они были все равномерные, чтобы вот это пространство прокрашенное не выглядело таким заборчиком неровным.
Боюсь стереть твои божественные губы. Мне кажется я их уже стерла местами. Ничего?
Очень важно клиента предупредить, чтобы он не говорил во время процедуры, потому что ну вот так как я сижу, у меня лежит, опирается на челюсть. И если она заговорит, то я могу что-то нарисовать где-то не там, либо не на той глубине. А стабильность, она тут крайне важна. То есть мы везде работаем на одинаковой глубине.
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Результаты (английский) 1:

Suppose in the shadows, there is generally another technique for centuries. Where it should be tight, dry paint over. But even if it's, say, grey graphite some pigment, still need to paint over tight. So the needle is in the skin permanently. Does not commit the extra movement, well to knowingly do not traumatize the skin.Small vertical movement a little obliquely from the nose-they do not create a clear external boundaries.The main thing is that they were all in uniform, to behold this space coated did not look such a fence uneven.Afraid to erase your divine lips. I think I already erased them. No problem? It is very important to warn the client that he did not speak during the procedure, because well here as I sit I have lies, relies on the jaw. And when she speaks, I can draw something somewhere is not there, or not on the depth. And stability, it is essential. That is, we're working everywhere at the same depth. 40.40

Результаты (английский) 2:

Let us assume for the shadows, there is generally a different technique on the eyelids. Where it is necessary to close, rough paint over. But even if, for example, gray graphite some pigment, you still need to paint tightly. Therefore, the needle is in the skin permanently. Do not commit the extra movement, well, that nothing not to traumatize the skin.
These small vertical movements just across from the nose - they do not create a clear boundary external.
The main thing is that they are all uniform, so here is space dyed did not look so fence rough.
I'm afraid to wipe your divine lips. I think I already erased in some places. Nothing?
It is important to notify the client that he did not speak during the procedure, because well, that's because I'm sitting, I was lying in, based on the jaw. And if to speak, then I can draw something somewhere is not there, or not at that depth. A stable, then it is extremely important. That is, we all work at the same depth.
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Результаты (английский) 3:

let"s say in the shadows, there is another technique for centuries. there are, начерно прокрасить. but even if it is, let"s say, gray графитовый some pigment, still have to прокрасить tightly. therefore, the needle is in the skin all the time. does not the extra traffic, so you don"t damage the skin.such slight vertical movement of the nose, just that they don"t have a clear boundary, external.it is important that they were all равномерные to this space прокрашенное looked like a picket fence uneven.i"m afraid it to your lips. i think i already deleted them places. nothing?it is very important to the client to warn him not to talk during the procedure, because well because i am, i have to rely on the jaw. and if she talks, something i can draw out there or not at that depth. and stability, it is extremely important. so we all work at the same depth.40.40