При этом «догматики» не пренебрегаю

При этом «догматики» не пренебрегают ни сюжетом. Ни работой с профессиональными актерами. Отказ от высоких технологий вовсе не означает отказ от основ ремесла.
По большей части, съемки образцового «Догма»-продукта протекают так. Режиссер находит какой-нибудь дом, желательно в сельской местности, и организует захват этого помещения съемочной группой. Киношники переезжают туда со всеми орудиями своего ремесла и полевой кухней. Там они живут, там репетируют, там и снимают. Получается что-то вроде коммуны хиппи. Несколько недель, проведенных вместе, превращаются в спонтанный, неостановимый хэппенинг. Исполнители бродят по дому и на пленэре, бормочут свои реплики, а за ними бегает оператор, изнывающий под тяжестью кинокамеры. Актеры без удержу веселятся и импровизируют, но, что характерно, в процессе монтажа (от которого, естественно, тоже никто не отказывается) эти вольные импровизации остаются за кадром. Режиссер, который все время тушевался на обочине творческого процесса, здесь вступает в свои права и добиваетя главного эффекта «Догма»-кино – предельной естественности изображения.

Результаты (английский) 1:

The "dogmatic" do not neglect nor plot. Neither work with professional actors. Non-high technology does not mean refusal of crafts.For the most part, shooting the exemplary dogma-product flow so. Filmmaker finds a House, preferably in a rural area, and organizes the capture of the space crew. Filmmakers are moving there with all the tools of his craft and field kitchens. There they live in, there are rehearsing there and remove. It turns out something like a hippie commune. A few weeks spent together, turn into spontaneous, unstoppable happening. The performers roam the House and in the open air, mumbling their cue, followed by running the operator iznyvaûŝij under the weight of film cameras. Actors without never having fun and improvise, but, tellingly, during installation (which, of course, also no one refuses to) these free improvisation behind the scenes. The Director, who all the time tuševalsâ on the side of the creative process, here comes into its own and dobivaetâ the main effect of dogma-movie-extreme natural images.

Результаты (английский) 2:

In this "dogma" is not neglected either plot. Neither the the work of with professional actors. Refusal of high-tech does not mean rejection of the foundations of the craft.
For the most part, the shooting model "Dogma" -product proceed so. The director finds any home, preferably in the countryside, and organizing the seizure of the premises of the crew. Filmmakers are moving there with all the tools of his trade and a field kitchen. There they live, there are rehearsing there and shoot. It turns that the-something like of the commune hippies. A few weeks spent together, transformed into spontaneous, unstoppable happening. Artists roam around the house and in the open air, muttering his lines, followed by running the operator, languishing under the weight of cameras. Actors unrestrained fun and improvise, but, characteristically, in the process of installation (by which, of course, too, no one refuses to) the free improvisation remain behind the scenes. The director, who is always shade on the side of the creative process, here comes into its own and dobivaetya main effect "Dogma" -kino - limiting natural images.

Результаты (английский) 3:

In addition, "the Holy Scriptures do not give us any basis" does not neglect any skirmish. Neither the work with professional actors. The failure of high technology does not necessarily mean the failure of foundations of crafts.
For the most part,Shooting exemplary "dogma" -product are leaking. He was born in finds any house, preferably in the countryside, and organizes the capture the film group.Intellectuals moved there with all the implements its crafts and field kitchen. There, they live, ibid. , Elena Batian, ibid. , and shoot. It is that something like commune hippy market. A few weeks, held together,Become a Spontanous, неостановимыи хэппенинг. The perpetrators roam in the home and at Kharkov, most their replicas, as well for them runs the agent, white under gravity film camera.The actors without advertising his throne and framework, but, as has been the case in the editing process (which, of course, but no one has refused) these voluntary improvisation remain out of the picture. He was born in,Which all the time on the roadside тушевался creative process, here comes into its law and добиваетя main effect "dogma" -movies - limit natural images.