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Vitkovska L.v., Straškova D.c. Intertextuality in the political discourse of aesthetic conceptionsand Russian Symbolist poetry of the period of the first Russian RevolutionThe article is devoted to analysis of the phenomenon of Intertextuality in the political discourse of aesthetic concepts and poetry of Russian symbolists at the beginning of the 20th century. The first Russian revolution is characterized by mainstream political discourse based on case law texts, in which there is a high degree of literary and artistic Intertextuality. Special attention is paid to the creativity of the leader of Russian symbolism brusov, which reflects a complex range of aesthetic perception of the artists of the early 20th century political movements. Identifies the fact that Bruce's poetry and his associates in the era of the first Russian Revolution full of political intentions. On the one hand, there is a call to artistic freedom, and on the other hand, lack of confidence in the soundness of the movement of the masses. Historical distance allows you to appreciate the literary and art and political poetry, Intertextuality of the beginning of the twentieth century, not only in the development of the arts, but also in its project on globalization processes that unfolded in the late twentieth and early twenty-first century.Keywords: Intertextuality, political discourse, aesthetic concept, poetry, Russian Symbolist, bryusov, the first Russian Revolution, pre-text, creativity, symbolism, aesthetic perception, political movement, political intentions, art.
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