О возникновении казахского танцевал

О возникновении казахского танцевального искусства
Казахский народ издавна имел самобытную танцевальную культуру. Танец, подобно др. видам национального искусства, существовал в быту кочевников-скотоводов и в танцевальных образах передавал все его особенности. Подтверждением служат сохранившиеся народные танцы, среди которых — трудовые (ормек би — танец ткачей), охотничьи (коян би — охота беркута на зайца, кусбеги-дауылпаз — обучение сокола охоте), танцы-состязания (утыс би), шуточные, сатирические, юмористические (насыбайши), танцы подражания животным (ортеке — козёл-прыгун, кара жорга, тепенкок — танец скакуна, бег иноходца, аю би — медвежий танец
Искусство танца передавалось из поколения в поколение, каждое племя имело своих мастеров. Казахские народные танцы не имели канонизированного вида. Чаще они исполнялись в форме импровизации. На танцевальных состязаниях эмоциональный жизнерадостный характер сочетался с хореографическими сценками.
У казахов свадьбы, праздники, встречи друзей, банкеты, и даже похороны родных не могут обойтись без песен и танцев. После смерти родных они поют 40 дней похоронные песни, вспоминая жизнь покойного. Одним словом, песни и танцы сопровождают всю жизнь казаха. Труд составляет главную тему танцев. Вспомним такие известные танцы как: "Доярка", "Стрижка шерсти", "Катание кошмы" и т. д. Есть быстрые, веселые танцы, есть и забавные юмористические, а так же есть танцы, выражающие их духовные идеалы. Казахи - прекрасные мастера выражения танцем своего духовного мира. Их танцы просты и в них нет никаких трудных движений. Большинство танцев имитирует трудовую жизнь или движения степных животных. И как только начинается танец, сразу чувствуется ликующий и могучий порыв. В этих танцах чувствуется густое дыхание степи.
Танцы казахов делятся на обычные и маскарадные, на танцы в одиночку, вдвоем или групповые танцы. Есть веселые, живые, юмористические танцы, имеющие сильный забавный характер. Среди них особо отличаются такие танцы, как "Хромая утка", "Медведь-ходун", "Хромой медведь", "Медведь-драчун" и др. Как только на празднике кто-нибудь начинает плясать, сразу все присутствующие присоединяются к нему, не оставляя его в одиночестве.
Школ по обучению танцу (как это было в Индии, Японии, Китае и др. странах Востока) не существовало. Искусство плясунов передавалось из поколения в поколение.
1. Особенности и внешний вид костюма
Казахский народный костюм является уникальным проявлением материальной культуры прошлого, создававшийся под влиянием условий жизни в степях с их знойным летом, с пронизывающими ветрами, морозами зимой, большими перепадами дневных температур. В нем нашли отражение эстетические идеалы народа, его образ жизни, социальные эквиваленты. Он отличается ярко выраженным своеобразием, и сыграл определенную роль в сохранении и упрочнении этнического самосознания народа, наряду с разговорной речью, антропологическими показателями служил стойким определителем, по которому отличали своих от чужих. Для него характерна общность форм для всех слоев населения с определенной возрастной регламентацией.
Группа айыркалпак, мурак, саукеле напоминают островерхие шапки древних саков - предков казахов. Складываемый из квадрата белой хлопчатобумажной или шелковой ткани женский головной убор жаулык, по всей вероятности, унаследован от древних тюрков, о чем свидетельствует изображения на каменных изваяниях той эпохи, а белдемше –тип распашной юбки восходит, пожалуй, ко временам гуннов. Манера запахивания на левую сторону, расположение цветной строчки и вышивки по краям выреза кимешека для лица, окаймление халата нашивками с люрексом, края подола, ворот и рукавов камзола галунами, якобы для «защиты» от неведомых и воображаемых сил, украшение детских, девичьих шапок, а в ряде случаев странствующих певцов перьями совы, считавшейся священной птицей, как оберега от дурных глаз, болезней, уходят к тюркско-кыпчакскому этническому пласту.
Костюм женщины казашки подразделялся по возрастным категориям. В комплект девичьего костюма входили однотипные предметы.
Камзол - легкая распашная одежда, сшитая по фигуре с расширяющимися книзу полами. В зависимости от того, шилась ли она с рукавами или без, к ее названию добавлялись соответствующие слова. Например, камзол без рукавов назывался женсиз кемзал, с рукавами - женди кемзал или шолак жен кемзал (с коротким рукавом). Камзолом иногда называли безрукавную одежду, а с рукавами - бешметом. Известны и другие названия.
Штаны. В прошлом, когда казашки ездили верхом, штаны были необходимой частью их одежды. Их шили из овчины, домотканого сукна, плотных хлопчатобумажных тканей. Различали верхние штаны (шалбар) и нижние (далбар). Штаны шили укороченными, немного ниже колен, широкими в шагу и у пояса, зауженными книзу. На талии их укрепляли при помощи шнура, продернутого в широкий подгиб, пришитый к поясу.
Шапан - старинная верхняя одежда женщин - прямой широкий халат с длинными рукавами. Для теплого времени года его шили легким, а для холодного - с шерстяной подкладкой, простеганной вместе с верхом. Старинные туникообразные халаты имели открытый ворот, а более позднее - отложной воротник.Праздничный шапан шили, как правило, из дорогой ткани, иногда его украшали позументом, вышивкой и полосками меха. Нарядные, богато украшенные халаты сохранялись как обрядовая свадебная одежда.
Головные уборы казашек, как и у женщин многих народов, помимо прямого назначения являлись еще своего рода указателем их семейного положения

Результаты (английский) 1:

On the occurrence of the Kazakh dancing artThe Kazakh people have long had a distinctive dance culture. Dance, like the others. types of national art, existed in life nomadic herdsmen and dance images passed all its features. Confirmation serve preserved folk dances, among them labor (ormek bi-dance of the weavers), hunting (Goyang bi-Golden Eagle hunt hares, kusbegi-dauylpaz-trained hunting Falcon), dance-contest (utys), a humorous, satirical, comic (nasybajši), dance of imitation animal (orteke-goat-jumper, Kara zhorga, tepenkok dance — steed, beg inohodtsa, Ayu bi-bear danceArt of dance transferred from generation to generation, each tribe had their own masters. Kazakh folk dances were not that kind. More often they were performed in the form of improvisation. At dance competitions emotional cheerful character combined with choreographed scenes.Kazakhs weddings, holidays, meetings, banquets, friends and even the funerals of relatives cannot dispense with songs and dances. After the death of relatives they sing 40 days of funeral songs, remembering the life of the deceased. In a Word, song and dance accompany all life Kazakh. Work is the main theme of the dance. Remember these famous dances as: "the Milkmaid", "shearing", "Skating" mats etc. There are fast, funny dance, have fun and humorous, and there are also dance, expressing their spiritual ideals. Kazakhs dancing expression beautiful Wizard of their spiritual world. Their dances are simple and there are no difficult movements. Most dance imitates life or the movement of animals of the steppe. And as soon as you start dancing, immediately felt jubilant and a mighty gust. In these dances felt thick breath of steppe. Dance of the Kazakhs are divided into ordinary and masquerade, dances alone, as a couple or group dances. There are funny, lively, humorous dances with strong funny character. Among them are distinguished by such dances as "lame duck", "bear-khodun", "Lame", "bear Bear-fighter", etc. Once on holiday someone starts dancing, all present join, not leaving it alone.Schools dance training (as it was in India, Japan, China and others countries of the East) did not exist. The art of plâsunov was transferred from generation to generation. 1. The features and appearance of the costumeKazakh folk costume is a unique manifestation of the material culture of the past, composed under the influence of the living conditions in the plains with their sultry summer, with penetrating winds, frosts in winter, large changes in daytime temperatures. It reflects the aesthetic ideals of the people, their lifestyles, social equivalents. It is distinguished by a strong originality, and played a role in the preservation and hardening ethnic consciousness of the people, along with Conversational speech, anthropological figures served as a persistent identifier, which differed from strangers. It is characterized by commonality forms for all segments of the population with a certain age regulations.Group ajyrkalpak, murak, reminiscent of the early XIX century peaked caps of the ancient Saka-ancestors of Kazakhs. Composed of square white cotton or silk fabric women's headdress žaulyk, likely inherited from the ancient Turks, as evidenced by the images on stone supposition of that era, and beldemše-a type of swinging skirts dates back perhaps to the time of the Huns. Manner of zapahivaniâ on the left side, the location of the colored stitching and embroidery on the edges of the cutout for face kimešeka, skirting robe stripes with Lurex, edge hem, collar and sleeves Camisole braid, ostensibly to "protect" from unknown and imaginary forces decoration nursery, girls ' hats, and in some cases errant singers feathers owls, was considered sacred bird, as a talisman against evil eye diseases, go to kypčakskomu ethnic Turkic stratum.Costume women were classified by age categories. The kit consisted of a similar suit maidens ' items.Camisole-easy swing clothes tailored by the shape with expanding downwards. Depending on whether or not to sew it with sleeves or without, to its name is added to the relevant words. For example, the Camisole sleeveless called žensiz kemzal, with žendi or kemzal sleeves sholak wives kemzal (short sleeve). Camisole was sometimes called bezrukavnuû clothes and jackets-bešmetom. Known by other names.Pants. In the past, when the Kazakh rode on horseback, pants were a necessary part of their clothes. They were made from sheepskin, homespun cloth, dense cotton fabrics. Distinguished top pants (Shalbar) and lower (dalbar). Pants sewed shortened a little below the knees wide in step and at the waist, narrowed down. At the waist or enhance them by means of a cord, prodernutogo in a wide подгиб, sewn to a belt.Chapan-antique women's outerwear-direct wide robe with long sleeves. For warm season it sewed easy and for cold-with wool lining, prostegannoj, along with riding. Vintage tunikoobraznye robes had opened the gate, and later-turndown collar Gala chapan sewn, usually expensive fabric, sometimes decorated with lace, embroidery and strips of fur. Elegant, ornate robes were kept as ceremonial wedding wear.Hats hats, like women of many nationalities, besides their direct purpose were still kind of pointer to their marital status

Результаты (английский) 2:

On the formation of the Kazakh dance art
Kazakh people has long had a distinctive dance culture. Dance, like the others. Kinds of national art existed in a life of nomadic pastoralists and dance images transferred all of its features. Confirmation are preserved folk dances, among them - labor (ormek bi - dance weavers), hunting (Goyang bi - hunting eagle on hare kusbegi-dauylpaz - trained falcon hunting), dancing, contests (utys Bi), humorous, satirical, humorous (nasybayshi), dances imitate animal (Orteke - goat-jumper car zhorga, tepenkok - dancing horse, running pacer ayu bi - Bear Dance
Art Dance passed down from generation to generation, each tribe had its masters. The Kazakh folk dances were not canonized species. Most are performed in the form of improvisation. At the Battle emotional sunny disposition combined with choreographic scenes.
The Kazakhs weddings, holidays, meeting friends, banquets, and even funerals family can not do without the songs and dances. After the death of relatives they sing 40 days funeral songs, recalling the life of the deceased. In a word, songs and dances accompany the entire life of Kazakhs. Labour is the main theme of the dance. Let us remember such famous dances as "The Milkmaid" "Haircut wool", "Horse of felt," and so on. d. There is rapid , funny dancing, have fun and humorous, as well as have dance, expressing their spiritual ideals. Kazakhs - great masters of dance expression of their spiritual world. Their dances are simple and they do not have any difficult movements. Most dance imitates the working life of the steppe or the movement of animals. And as soon as the dance begins immediately felt elated and powerful impulse. These dances can feel the breath of the thick steppe.
Dancing Kazakhs are divided into ordinary and fancy, to the dance alone, as a couple or group dances. There are fun, lively, humorous dances, fun with a strong character. Among them are different dances such as the "lame duck", "Bear-shaking", "Lame Bear", "Bear-fighter" and others. Once on holiday someone starts dancing immediately all present join him, not leaving him alone.
Schools teaching dance (as in India, Japan, China and others. Eastern countries) did not exist. Arts dancers passed down from generation to generation.
1. Features and appearance suit
Kazakh national costume is a unique manifestation of the material culture of the past, created under the influence of living conditions in the steppes with their sultry summer, with piercing wind, frost in winter, big differences daytime temperatures. It reflected the aesthetic ideals of the people, their way of life, social equivalents. It is characterized by a pronounced originality, and played a role in maintaining and strengthening ethnic identity of the people, along with spoken language, anthropological indicator is resistant determinant of which distinguish friend from foe. It is characterized by common forms for all segments of the population with a specific age regulations.
Group ayyrkalpak, Murakami saukele resemble ancient Saks peaked cap - the ancestors of the Kazakhs. The sum of the square of white cotton or silk fabric woman's headdress zhaulyk likely inherited from the ancient Turks, as evidenced by the image on the stone sculptures of the era, and beldemshe -type swing skirt goes back probably to the time of the Huns. The manner of plowing on the left side, the location of color stitching and embroidery on the edges of the cutout kimeshek face, fringed robe stripes with lurex, edge hem, collar and sleeves of his coat with gold braid, ostensibly to "protect" from the unknown and imaginary forces, decoration children's, girls' hats, and in some cases traveling singers feathers owl is considered a sacred bird as a talisman against the evil eye, illnesses, go to the Turkish-Kypchak ethnic stratum.
Suit women Kazakh women was divided by age. The girl's costume consisted of a set of objects of the same type.
The camisole - easy swing clothing made ​​with expanding the figure down floors. Depending on whether it is sewed with or without sleeves, its name added to the appropriate words. For example, a coat without sleeves called zhensiz kemzal sleeves - zhendi kemzal or Sholak wives kemzal (short sleeve). The camisole is sometimes called sleeveless clothes, with sleeves - beshmet. There are other names.
Pants. In the past, when the Kazakhs rode, pants were a necessary part of their clothing. They were made ​​of sheepskin, homespun cloth, dense cotton fabrics. Distinguish upper pants (shalbar) and lower (dalbar). Pants sewn shorter, a little below the knee, wide step and in at the waist, narrowed down. On their waist strengthened with the help of a cord prodernutogo in a hem sewn to the waistband.
Sapa - vintage outerwear women - straight wide robe with long sleeves. For the warm season it easy to sew and cold - with a wool lining, quilted together with the top. Vintage tunic robes had an open gate, and later - Eton vorotnik.Prazdnichny shapan sewed usually made ​​of expensive fabric, sometimes decorated with braid, embroidery and fur strips. Elegant, ornate robes preserved as a ceremonial wedding dresses.
Hats kazashek as women of many nations, in addition to the direct appointment is another kind of indicator of their marital status

Результаты (английский) 3:

a kazakh dance art
kazakh people always had a unique dance culture. dance, like the others. types of national artthere was a family of nomadic pastoralists and dance images transferred all of its features. proof is preserved folk dances, among which labour (ормек bi dance weavers)hunting (goyang bi hunting an eagle on the hare, кусбеги - дауылпаз training falcon hunting), the dance competition (утыс b.), joke, satirical humour (насыбайши), dance, model animals (ортеке asshole - jumper.kara жорга, тепенкок dancing horse, running иноходца, ayu bi bear dance. ballet was passed from generation to generation, each tribe had their own masters.kazakh folk dances were not канонизированного species. they observed more often in the form of improvisation. dance sports emotional exuberant nature it хореографическими сценками.
with the emigration of the wedding, holiday, meeting friends, banquets, and even a funeral home cannot dispense with songs and dances. after the death of relatives, they are 40 days funeral song about the life of the deceased. in a word,song and dance, the whole life казаха. work is the main theme of the dance. remember the famous dance as "is", "wool", "skating кошмы" and so on. d. there are fast, fun dancehave fun and humour, as well as a dance to express their spiritual ideals. kazakh lovely master of dance of their spiritual world. their dances are simple and there is no any difficult movements.most dance imitating work life or movement of steppe species. and as soon as starts the dance, just like ликующий and powerful momentum. in these dances feels thick breath steppes.