3) Первая композиция «Three Years o

3) Первая композиция «Three Years of Winter» буквально втягивает в нас в дремучее лесное царство Drunemeton`а. Пространство, аккуратно сотканное из бликов ясной ночи, бескрайнего могучего бора и множества разноцветных огоньков, вновь и вновь переживает своё естественное рождение, ознаменовывая нам начало этого славного празднества. Огоньки в своём неудержимом танце ярко подсвечивают мрачные лики чуров, свысока наблюдающих за продолжающимся в центре поляны ритуалом. В этом плане, «Winter Of The Ghosts» (что с одноимённого сплита «Семинарии»), который буквально отдаёт холодом и забвением воющей вьюги, выглядит особенно отчуждённо в сравнении с идиллией «Three Years of Winter», хотя в основе своей, это один и тот же трек. Персональным отличием, в данном случае, выступает обилие клавишных партий и структур, воплощающих своей быстрой и разнообразной игрой то самое многообразие светлячков, факелов и бликов лунного света, рождающих сочетания музыкальных и световых энергий, подобно современным концертам в отдельных уголках старой Европы. Общее звучание гитар, баса и ударных выглядят здесь гораздо живее, чётче и результативней, чем их ранний вариант, и придают «Three Years of Winter», равно как и остальным композициям «Fullmoon Asbath», более внушительный и серьёзный вид. «When Naglfar Sails» есть не что иное, как обновленная версия композиции «Hyperborean Nostalgia», входившая в трек-лист «Dark Ages of Witchery». С первых нот сразу же ощущается трепет и смирение тёмных вод перед огромным, окруженным одиночеством и таинственностью кораблём, огибающим бескрайнее царство Хель в поисках потерянных душ. Клавишные партии поубавили свой пыл и отошли немного поодаль происходящего, в то время как гитары и ударные, заняв главные позиции на «корабле» (изображая собой армию свирепых йотунов), держат весь темп и ритмику трека, хотя общее звучание композиции всё же выдаёт некое подобие многообразия за счёт остальных инструментов. «Fenris», несмотря на то, что является кавером на Enslaved (с их альбома «Frost») , звучит поистине мощно, сохраняя атмосферу, звучание и посыл достопочтимого оригинала в его первозданном виде. Изначально, трек имел, бесспорно, «истинный» норвежский саунд, что для многих музыкантов в 90-ые было вполне обычным, если не вконец избитым делом. Но, по прошествии более 15 лет, при переносе композиций командами с разных уголков мира на современный лад, они всё же теряли тот изначальный «нечистый, пещерный и средневековый звук», который был им присущ, превращаясь из классики Black Metal`а в нудный и невыразительный кусок... тухлого норвежского козьего сыра. Но, к счастью, эти слова никоим образом Drunemeton не касаются. Сохранились и стали значительно лучше восприниматься гитарные партии, а ударные, в своей поистине напряжённой игре, ни на секунду не уступали оригиналу в ритмичности и скорости, особенно если говорить об их ускорении в бласт-битах где-то ближе к концу трека. Вокал был как никогда близок к оригиналу, хотя в начале трека, которое начиналось с чистого вступления, вокал Grannus`а всё же испытывал некий дискомфорт. Следующие треки «Far Tower Beacon» и «Fullmoon Asbath» являются переработками почти одноимённых композиций с «семинарийского» миньона «Spill The Cursed Wine». И с учётом достаточно плохой технической реализации ушедшего в вечность миньона, на «Fullmoon Asbath» композиции приобрели свой новый вид, о котором ранее не смели даже мечтать. Но, если серьёзно, то «Far Tower Beacon» не был столь отличен от оригинала, и всё также навевал скуку своим исполнением, хоть и был сыгран на уровне остальных вещей альбома. А вот композиция «Fullmoon Asbath» претерпела немаловажные изменения, в которых мелкие гитарные моменты были доведены «до ума», заделав и выровняв трещины раннего варианта, а также композиция дополнилась эффектными клавишными пассажами, которыми предшественник «Spill The Cursed Wine» похвастаться не мог. Шестой трек «Wolf & Serpent», взятый с альбома «Whirlwind Of Wild Hunt», также претерпел некоторые изменения, которые, впрочем, не сильно повлияли на конечный результат и его великолепную атмосферу. Композиции навели «косметические улучшения», добавив градус тепла и уютного таинства клавишами и общей атмосферой снежных покровов, и, немного изменив концовку трека, сделав финал этой версии намного красивей и логичнее в плане завершения. Братство волка и змея продолжает жить! С первым кавером («Fenris») Drunemeton справился на отлично, а вот «Barbarism Return» оказался хоть и неплохим, но в целом весьма средненьким кавером, который Drunemeton так и не смог в должной мере отыграть ни по классике, ни по «своему». Разве что клавишные партии были гораздо обильнее оригинала, хотя их навязчивая «светлость» в каждом ностальгическом моменте совершенно не подходила для воспроизведения «кровавого варварского нашествия», которое три адепта Храма Полнолуния успешно воплотили весной 94-ого года. Хотя мало кому вообще удавалось делать достойные кавера на раннее творчество великих Graveland, ведь даже

Результаты (английский) 1:

3) first composition "Three Years of Winter" literally pulls us into the dark forest Kingdom Drunemeton'a. Space, neatly weaved from glare clear nights, endless mighty boron and many colored lights, again and again going through their natural birth, commemorating the US beginning this glorious celebration. The lights in his irresistible dance brightly illuminate the grim faces of churov, down watching the continuing in the Centre of the Meadow ritual. In this regard, "the Winter Of The Ghosts (which split from her" Seminary "), which literally gives oblivion vojushhej cold and blizzards, looks especially very impersonal compared to idyllic" Three Years of Winter, though, it is one and the same track. Personal honours, in this case, serves an abundance of keyboards and structures embodying its rapid and diverse game that very diversity of fireflies, torchlight and glare of Moonlight, give birth to a combination of music and light energies, like modern concerts in separate corners of the old Europe. The overall sound of guitars, bass and drums appear here to be much livelier, sharper and productively than their earlier version, and give "Three Years of Winter", as well as the rest of the song "Fullmoon" Asbath, more awesome and serious look. "When Naglfar Sails" is nothing more than a revamped version of the song "Hyperborean Nostalgia», within the tracklist" Dark Ages of Witchery. From the first notes immediately feels AWE and humility of dark waters in front of the huge, surrounded by loneliness and mystery ship, envelope the boundless realm of Hel in search of lost souls. Albania and Croatia join NATO keyboards their fervor and went a little farther, while the guitars and drums, taking the top position in the "ship" (depicting a ferocious army jotunov), keep all the tempo and rhythm of the track, although overall sound composition still delivers some semblance of diversity at the expense of other tools. "Fenris", despite the fact that it is the cover to the Enslaved (from their album "Frost"), sounds like a truly powerful, keeping the atmosphere sound and promise the Honourable original in its pristine form. Originally, the track had undoubtedly "true" Norwegian sound that for many musicians in the 90 's it was quite normal, if not completely beaten affair. But after more than 15 years, when transferring tracks teams from all over the world with a modern twist, they still lost the original "impure, Cave and the medieval sound, which was they share, turning out classics Black Hope in tedious and wishy-washy piece ... addle Norwegian goat cheese. But, fortunately, these words do not refer to Drunemeton in any way. Preserved and have become much better perceived guitars and drums, its truly stressful game, never inferior to the original in rhythm and speed, especially if you talk about them speeding blast bits of somewhere towards the end of the track. Vocals were never as close to the original, although at the beginning of the track, which began with a blank entry, vocals Grannus'a still experienced some discomfort. The following tracks are "Far Tower Beacon" and "Fullmoon" adaptations are Asbath almost songs from Hershey's "seminarijskogo" Mignon "Spill The Wine" Cursed. And enough bad technical implementation departed to eternity Mignone "Fullmoon" Asbath songs purchased your new look, which previously did not even dare dream of. But, seriously, the Far Tower Beacon "was not much different from the original, and all also evoked a boredom for her, though it was played at the level of the rest of the things album. And here is the song "Fullmoon Asbath" has undergone significant changes, in which small guitar moments "were brought to mind, having closed up and aligning crack early options, as well as composition brings a spectacular keyboard passages which predecessor" Spill The Wine "the Cursed could not boast. The sixth track "Wolf & Serpent", taken from the album "the Whirlwind Of the Wild Hunt", has also undergone some changes, however, have strongly affected the final result and its great atmosphere. Composition induced "cosmetic improvements, adding degree of warmth and cozy mysteries and the overall atmosphere of the snow cover, and slightly changing the ending track, making this final version is much more beautiful and more logical in terms of completion. Brotherhood of the Wolf and the Serpent is still alive! With the first cover ("Fenris") perfectly coped Drunemeton but "Barbarism Return turned out to be quite good though, but generally very rumoured cover that Drunemeton failed to adequately play nor classics nor to" its ". Is that keyboards were much more sufficiently original, although their obsession "Serene Highness" in each moment perfectly suited not nostalgic to play "bloody barbarian invasions" which three adept Temple Moon successfully implemented in spring 94. Although few who managed to make a decent cover on early works great Graveland, even

Результаты (английский) 2:

3) The first composition «Three Years of Winter» literally pulls us in the dense forest kingdom Drunemeton`a. The space, carefully woven from glare clear night, endless mighty boron and multi-colored lights, and again going through his natural birth, we commemorating the beginning of this glorious festival. The lights in his irresistible dance brightly illuminate the gloomy faces Churov, down watching going on in the center of the clearing ritual. In this sense, «Winter Of The Ghosts» (that with the same split "Seminar"), which literally gives cold and oblivion howling blizzard, looks particularly aloof compared to the idyllic «Three Years of Winter», although basically this is one the same track. Personal difference, in this case, acts as an abundance of keyboards and structures embodying its fast and varied game that very diversity of fireflies, torches and moonlight reflections, give birth to a combination of music and light energies, like modern concerts in some parts of the old Europe. The overall sound of guitars, bass and drums here look much livelier, more clearly and effectively than their earlier version, and give «Three Years of Winter», as well as the rest of the composition «Fullmoon Asbath», more impressive and serious look. «When Naglfar Sails» is nothing else than an updated version of the song «Hyperborean Nostalgia», was a part of the track list «Dark Ages of Witchery». From the first notes immediately felt awe and humility before the great dark waters surrounded by the solitude and mystery ship, enveloping the boundless realm of Hel in search of lost souls. Rocker Party diminished his ardor and moved a little distance event, while guitars and drums, occupying major positions in the "ship" (depicting an army of fierce Jotun), hold the whole tempo and track rhythm, although the overall sound composition still gives some semblance of diversity at the expense of other instruments. «Fenris», despite the fact that is a cover of Enslaved (with their «Frost» album) sounds really powerful, keeping the atmosphere, sound and promise Honourable original in its original form. Initially, the track had, no doubt, "true" Norwegian sound that many musicians in the 90's was quite ordinary, if not completely beaten affair. But after more than 15 years, when you transfer songs from teams all over the world with a modern twist, they still lost the original "unclean, and the medieval cave sound" that was inherent in them, changing from classic Black Metal`a in tedious and featureless piece of rotten ... Norwegian goat cheese. But, fortunately, these words does not concern Drunemeton. Preserved and have become much more receptive to the guitar and drums, in his truly intense game, even for a second did not concede to the original rhythm and speed, especially if we talk about them in the accelerating blast bits somewhere near the end of the track. Singing was never as close to the original, although at the beginning of the track, which began with the entry of pure, vocal Grannus`a still felt some discomfort. The following tracks «Far Tower Beacon» and «Fullmoon Asbath» is the processing of almost the same name with songs "seminariyskogo" EP «Spill The Cursed Wine». And taking into account the rather poor technical implementation of the departed to eternity minion on «Fullmoon Asbath» compositions acquired a new species, which previously did not even dare to dream. But, seriously, «Far Tower Beacon» was not so different from the original, yet also brings boredom with her performance, though, and was played at the level of the rest of the album things. But the composition «Fullmoon Asbath» undergone unimportant change in which small guitar moments have been brought "to the mind", are embedded and aligned cracks earlier version, as well as the composition supplemented impressive keyboard passages, which the predecessor «Spill The Cursed Wine» could not boast. The sixth track «Wolf & Serpent», taken from the album «Whirlwind Of Wild Hunt», has also undergone some changes, which, however, did not greatly affect the final result and a great atmosphere. The compositions have put "cosmetic improvements," adding degrees of warmth and cozy ordinances keys and the general atmosphere of the snow cover and slightly changing the ending of the track, making the ending of this version is much more beautiful and more logical in terms of completion. Brotherhood of the Wolf and the snake continues to live! With the first a cover ( «Fenris») Drunemeton handled excellently, but «Barbarism Return» turned out, though good, but overall very mediocre cover of which Drunemeton and could not adequately play either on the classics or on the "own" . Is that the keyboard parts were much more abundant of the original, although their obsession with "Grace" in every nostalgic moment is not suitable for playing "bloody barbarian invasion", which is three Full Moon Temple Adept successfully embodied in the spring of '94. Although very few people even managed to make a decent covers of the early work of the great Graveland, because even

Результаты (английский) 3:

(3) the first composition "three years of Winter» literally pulls us into дремучее forest kingdom Drunemeton ` as well. space, carefully сотканное of highlights a clear night, infinite the bora and many colorful lights, again and again in its natural birth, ознаменовывая we start this glorious festival. all the lights in your неудержимом dance bright подсвечивают gloomy faces чуров, down in the centre of the glade watching the ritual. in this regard, the "winter of the Ghosts» (with a split" семинарии») who literally gives cold and goodbye warring time, looks especially отчуждённо compared with idyil "three years of Winter», although fundamentally, it is one and the same track. a difference in this case is the abundance of keyboards parties and structures brings about its rapid and diverse game the same diversity of fireflies, torches and highlights the moonlight, рождающих mix of music and light energies, like modern concerts in some parts of the old europe. the overall sound of guitars, bass and drums are here much faster, clearer and результативней than their early version, with "three years of Winter», as well as other compositions" Fullmoon Asbath», more impressive and looked serious. "when Sails» naglfar is not that other, as the updated version of the" Hyperborean Nostalgia», incorporated in the track list "the dark ages of Witchery». from the first notes immediately felt awe and humility of the water in front of a huge, surrounded by loneliness and mysterious ship, огибающим endless kingdom hel in search of lost souls. keyboard of поубавили down and send some of them, while the guitars and drums, occupying the main position in the корабле» (portraying an army of fierce йотунов), keep the pace and ритмику track, although the overall sound compositions still produces some kind of diversity at the expense of other instruments. "Fenris», despite the fact that is a version of enslaved (from their album" Frost») is indeed powerful, preserving the atmosphere, and the sound message of the right honourable the original in its pristine form. originally, the track had, no doubt, "истинный» norwegian sound that for many musicians in the 1990s was quite normal, if not was too busy. but, after more than 15 years, with the transport tracks teams from all over the world with a modern twist, they still have the original "unclean, cave and the звук» which they have become from the classic black metal" and boring and невыразительный piece... dead norwegian goat cheese. but, fortunately, these words are in any way Drunemeton didn't relate to. preserved and were significantly better perceived guitar parties, as well as in its truly thrilling game, not for a second did not match the original in perfection and speed, especially