С одной стороны, есть призыв к твор

С одной стороны, есть призыв к творческой свободе, а с другой – неверие в разумность движения народных масс. Историческая дистанция позволяет оценить литературно-художественную и политическую интертекстуальность поэзии начала ХХ века не только в развитии искусства, но и в его проецировании на глобализационные процессы, развернувшиеся в конце ХХ - начале XXI века.
Ключевые слова: интертекстуальность, политический дискурс, эстетическая концепция, поэзия, русский символист, В. Брюсов, первая русская революция, прецедентный текст, творчество, символизм, эстетическое восприятие, политическое движение, политические интенции, искусство.

Результаты (английский) 1:

On the one hand, there is a call to artistic freedom, and on the other hand, lack of confidence in the soundness of the movement of the masses. Historical distance allows you to appreciate the literary and art and political poetry, Intertextuality of the beginning of the twentieth century, not only in the development of the arts, but also in its project on globalization processes that unfolded in the late twentieth and early twenty-first century.Keywords: Intertextuality, political discourse, aesthetic concept, poetry, Russian Symbolist, bryusov, the first Russian Revolution, pre-text, creativity, symbolism, aesthetic perception, political movement, political intentions, art.

Результаты (английский) 2:

On the one hand, there is a call for artistic freedom, and with another - lack of confidence in the reasonableness of the movement of the masses. Historical distance allows us to estimate the literary and artistic and political intertextuality poetry of the early twentieth century, not only in the development of art, but also in its projection on the globalization processes that took place in the late XX - early XXI century.
Keywords: intertextuality, political discourse, aesthetic conception, poetry , Russian symbolist, Bryusov, the first Russian revolution, the precedent text, art, symbolism, aesthetic perception, political movement, political intentions, art.

Результаты (английский) 3:

on the one hand, there is a call for artistic freedom, and the other is the denial of the reasonableness of the masses.the distance allows to evaluate the literary artistic and political интертекстуальность poetry in the beginning of 20th century, not only in the development of the arts, but also in its projected on the глобализационные processesthere in the late 20th and early 21st century. key words: интертекстуальность, political discourse, aesthetic concept, the russian symbolist poetry in. брюсов, the first russian revolution, прецедентный textart, symbolism, aesthetic perception, political movement, political интенции, art.