Микеланджело архитектор , но сегодн

Микеланджело архитектор , но сегодня известен как скульптор, живописец и чертежник . Сикстинской Капелла в Ватикане вложил вклад в окончательный дизайн и постройку храма Св. Петра . Все же флорентийский художник потратил большую част своей долгой карьеры, занимаясь архитектурой — он посвятил 18 лет одному только храму Св. Петра .
Микеланджело первоначально обучался на живописца, но создатель потолка Сикстинской Капеллы отрицал, что это было — или когда-либо вообще было по-настоящему — его призванием.Его пригласили взяться за дизайн для Библиотеки Св.Лаврентия в 1524, он предупредил: "Faro cio che io sapro, benche non sia mia professione" — я сделаю все, что я могу, хотя это не моя профессия. Хотя художник уничтожил многие свои рисунки перед своей смертью в феврале 1564, значительное число архитектурных чертежей избежало огня. Без них мы имели бы смутное представление о его очень нетрадиционных методах работы.Когда его попросили в 1515 участвовать в проектировании фасада для церкви Св.Лаврентия во Флоренции, к зданию которой была бы позже добавлена Библиотека св.Лаврентия, Микеланджело признался, что ему недоставало опыта в таком виде проектирования. Микеланджело работал один, защищая свое независимое положение и никогда, как он сам говорил о себе, "никаким не живописцем или скульптором с собственной студией. " Убежденный, что понимание человеческого тела было необходимым умением в архитектуре как в изобразительном искусстве, художник приступал к дизайну произведений архитектуры почти так же, как он делал бы предварительный эскиз. Вместо того, чтобы начинать с простого наброска "идеи" и дорабатывать более подробно и точно рисунки на следующих листках бумаги, Микеланджело как правило делал начальный эскиз и затем неоднократно пририсовывал что-то поверх него, создавая своего рода многослойный рисунок, по мере того, как развивались его идеи. Бумага была дорогая, и художник был очень практичным, таким образом, каждый используемый листок бумаги, включая его собственные черновики писем и те письма, которые он получал от других, были покрыты с обеих сторон его рисунками. Эффективно воспроизведя архитектурные произведения на бумаге, он затем делал модель из глины или воска точно такую же, какую он делал для скульптуры. Хотя художник изучал классические здания и их декоративные элементы, его подход не был археологическим, поскольку он считал их важными средствами для окончания создания чего-то нового. Правила, когда он с ними сталкивался, даже если они были установлены еще в античность, непременно должны были быть нарушены, а он и нарушал, часто к удивлению и испугу своих современников. Кроме того его применение скульптурных методов в моделировании зданий и его манипуляции с пространством, светом и тенью помогло сломать границу между конструкцией и художественным оформлением, придавая новое значение свободе. Понадобилось время, чтобы полностью понять эти уроки, и причудливые строители Бернини и Борромини, были его первыми истинными учениками.
Именно Бернини сказал о нем: "Он был великим скульптором и живописцем, но архитектором он был от Бога.

Результаты (английский) 1:

Michelangelo the architect, but today is known as a sculptor, painter and draftsman. The Sistine Chapel in the Vatican invested contribution to the final design and construction of the Church. Peter. Still, the Florentine artist spent most part of his long career, studying architecture, he devoted 18 years to one only of the Church of St. Peter.Michelangelo originally studied at painter, creator of the ceiling of the Sistine Chapel, but denied that it was is or ever was truly his calling. He was invited to take up the design for the library of St. Lawrence in 1524, he warned: "cio che io Faro sapro, benche non sia mia professione" — I will do all I can, although it is not my profession. Although the artist destroyed many of his drawings before his death in February 1564, a large number of architectural drawings escaped the fire. Without them we would have had a vague idea of it very unconventional practices. in 1515 when asked to participate in designing the façade for the Church of St. Lawrence in Florence, to the building which was later added the library of St Lawrence, Michelangelo has admitted that his lack of experience in this form of design. Michelangelo worked alone to protect its independent position and never, as he talked about himself, "no not a painter or a sculptor's Studio." Convinced that understanding the human body was a necessary skill in architecture as in art, the artist started to design works of architecture in much the same way as it would make a preliminarysketch. Rather than begin with a simple outline of the "ideas" and further develop a more detailed and precise drawings on the following sheets of paper, Michelangelo is usually done the initial sketch and then the National Basketball Association has something on top of it, creating a sort of multi-layered figure, as his ideas evolved. Paper was expensive, and the artist was very practical, so every piece of paper was used, including its own drafts of letters and the letters he received from others, both sides were covered with his drawings. Effectively reproduce the architectural works on paper, he then made a model out of clay or wax is exactly the same as it did for the sculpture. Although he studied classical buildings and their decorations, his approach had been to archaeological, because it considered them important tools for the creation of something new. The rules, when he clashed with them, even if they were set back in antiquity, necessarily had to be broken, and he violated, often to the amazement and fright of his contemporaries. In addition the use of sculptural techniques in modeling of buildings and its manipulation with space, light and shadow has helped break down the boundaries between design and decoration, giving new meaning to freedom. It took the time to fully understand these lessons, and bizarre builders of Bernini and Borromini, were his first true disciples.It was Bernini said about him: "he was a great sculptor and painter, but he was the architect of God.

Результаты (английский) 3:

Michelangelo architect , but today is known as collections, exhibitions and designer . Sistine Capella in the Vatican has gone to the final design and construction the temple of St. Peter .The same florentine artist has spent more freq its long career, engaging in architecture - he has devoted 18 years only one temple St. Peter's .
Michelangelo originally trained at the new millenium,But the creator ceiling Sistine Chapel, denied that this was - or ever had to present - his vocation.He was invited to address the design for the Library St. Lawrence in 1524, he warned."Faro German states if io sаprо, benсhe non implacabili prоfessiоne set" - I will do all that I can, although it is not my profession. Although he had destroyed many of their pictures before its death, in February 1564,A large number of architectural drawings escaped fire. Without them, we would have still sin on his very non-traditional methods of work.When he was asked in 1515 to participate in the designing the facade for the church of St.Lawrence in Florence, to the building which was to be later added to the Library St. Lawrence, Michelangelo confessed,That he lacked experience in such a form of design. Michelangelo worked as one, while protecting their independent position and never, as he himself said, is the "no not Caffi or artist with his own studio." A convinced, that the understanding of human body was a necessary skill in the architecture as well as in fine arts, art in Mayotte design works of architecture almost the same,As he has done to a preliminary sketch. Rather than begin with a simple outline "ideas" and develop a more detailed and precise figures on the following scrap of paper,Michelangelo as a rule did the initial thumbnail and then repeatedly пририсовывал that over it, creating a kind a multi-layered figure, as the developed his ideas. Paper was expensive,And he was a very practical, in such a way, each used piece of paper, including its own draft letters and the letter, which he had received from the other, have been met with both sides of his drawings.Effectively D. Vasiliev architectural works on paper, he then did the model of clay or wax exactly the same, what he has done for sculptures.Although he studied classic buildings and their decorative elements, his approach was not archaeological, because it had been their important means for the end of the creation of the new. Rules,When he was confronted with them, even if they had been established in the antique, must necessarily have been violated, and he and violated, often to the surprise and fear over their contemporaries.In addition the use of sculptural techniques in modeling building and its manipulation with space, light and shadow would help to break the boundary between design and decoration,Attaching the new value freedom. It took the time to fully understand these lessons, and quirky builders Bernini and Borromini, were his first true disciples.
it is Bernini said about it:"He was a great artist and iconographical interest, but the architect he was from God.