Поскольку к 1937 г. четыре крупнейш

Поскольку к 1937 г. четыре крупнейшие кинокомпании — «УФА», «Терра», «Тобис» и «Бавария» — находились в руках государства, то Министерство пропаганды держало под контролем все кинопроизводство. Интересно, что в этой сфере Й. Геббельс проявлял заметную сдержанность. Он прекрасно знал, что для большинства людей кино является способом убежать от действительности, а потому его зна¬чение для воспитания определенных чувств и мыслей особенно велико. Знал Геббельс и то, что чересчур прямолинейная пропаганда с экрана способна вызвать противоположные эмоции и чувство протеста. Поэтому он требовал от пропагандистских фильмов высоких художественных достоинств, которые позволили бы проникнуть выраженным в них идеям в подсознание зрителей.
Показателен в этом смысле был фильм «Квекс из гитлерюгенда» (1933). Романтический подросток из рабочей семьи состоит в коммунистической молодежной организации, но мечтает о гитлерюгенде. И мечта его сбывается. Однако при раздаче нацистских листовок подросток погибает от ножа бое¬вика из коммунистической группы. Превосходная операторская работа и хорошая музыка принесли ленте заслуженную популярность. В фильме «Фридрих Шиллер, триумф гения* (1940) молодой поэт борется против деспотичного герцога, отстаивая свободу художественного творчества. С одной стороны, это не укладывалось в цензурные рамки Третьего рейха. С другой стороны, образ литературного гения, боровшегося против реакционного правительства за свободу Германии, вполне мог вызвать ассоциацию с политическим гением, боровшимся против Веймарской республики.
Печально известен злобный антисемитский фильм «Вечный жид» (1940), дублированные копии которого нацисты показывали во всех завоеванных ими европейских странах. Фильм в подчеркнуто документальной манере изображал евреев существами, помешавшимися на деньгах. Кошмарные сцены ритуальных убийств животных должны были вызывать у арийских зрителей омерзение к «садизму» иудейской религии.
Специфической чертой многих фильмов военного времени («Я обвиняю», «Ритуал самопожертвования», «Кольберг» и др.) являлась тема смерти.Близившийся крах Третьего рейха заставил говорить о спасении души через искупительную смерть и небесном благословении за нерушимость своей веры.

Результаты (английский) 1:

Since 1937, four major film — «Ufa», «Terra», «Babe7.com and Bayern were in the hands of the State, the Ministry of propaganda has kept under control all filmmaking. Interestingly, in this area. Goebbels showed noticeable restraint. He knew that for most people the movies is a way to escape from reality, but because of its importance to the education of certain ¬ feelings and thoughts is particularly high. Goebbels knew and that too straightforward propaganda from the screen can cause opposing emotions and feeling of protest. He therefore demanded the propaganda films of high artistic merit that would penetrate expressed in these ideas into the subconscious of the spectators.Telling in this sense was the movie "Kveks of Hitler (1933). Romantic teenager from working families is the Communist Youth Organization, but dreaming of Hitler youth. And his dream comes true. However, the distribution of Nazi leaflets teen dies from a knife fight ¬ Vika from Communist groups. Excellent camera work and good music brought the tape deserved popularity. In the film, Friedrich Schiller, the triumph of genius * (1940), a young poet struggles against the tyrannical Duke, defending the freedom of artistic creation. On the one hand, it is not in the scope of censorship kept within the Third Reich. On the other hand, the image of a literary genius, fought against the reactionary Government for freedom of Germany, could cause association with the political genius, fought against the Weimar Republic.Notorious for vicious anti-Semitic film "the Eternal Jew (1940), duplicate copies of which Nazis showed in all the conquered European countries. Film in the documentary portrayed the manner stressed Jews creatures, pomešavšimisâ on the money. Nightmarish scenes of ritual killings of animals had to be of Aryan spectators disgust to the "sadism" of the Jewish religion.A specific feature of many wartime films ("I accuse", "Ritual sacrifice," Kohlberg ", etc.) has been the theme of death. Blizivšijsâ the collapse of the Third Reich made talking about the salvation of souls through the atoning death and heaven blessing for the inviolability of their faith.

Результаты (английский) 2:

Because by 1937 the four largest film production company - "UVA", "Terra", "Tobis" and "Bayern" - were in the hands of the state, the Ministry of Propaganda to keep under control all the film industry. Interestingly, in this regard J. Goebbels showed appreciable restraint. He knew that for most people the movie is a way to escape from reality, but because it zna¬chenie for the education of certain feelings and thoughts is particularly high. Goebbels knew and that too straightforward propaganda from the screen can cause conflicting emotions and a sense of protest. Therefore, he demanded from propaganda films of high artistic merit, which would allow them to get ideas expressed in the subconscious mind of viewers.
Indicative in this respect was the film "Kveks of Hitler" (1933). Romantic teenager from working-class family is the communist youth organization, but dreams of the Hitler Youth. And his dream comes true. However, the distribution of Nazi leaflets teenager killed by a knife boe¬vika of the communist group. Excellent camera work and good music brought a tape-deserved popularity. In the movie "Friedrich Schiller, the triumph of genius * (1940), the young poet is fighting against the despotic Duke, defending the freedom of artistic creation. On the one hand, it does not fit into the framework of the Third Reich censorship. On the other hand, the image of literary genius, struggling against the reactionary government for the freedom of Germany, could well cause the association with a political genius who fought against the Weimar Republic.
Notorious evil anti-Semitic film "The Eternal Jew" (1940), duplicate copies of which the Nazis showed all won of European countries. The film is a documentary style emphasized portrayed Jews beings are obsessed with money. Nightmarish scenes of ritual killing of animals should have the Aryan cause in disgust viewers to "sadism" of the Jewish religion.
A specific feature of many films of war ("I accuse", "ritual sacrifice", "Kolberg", etc.) Is the theme of the collapse of the Third smerti.Blizivshiysya Reich forced to talk about salvation through the atoning death and heavenly blessing for the inviolability of their faith.

Результаты (английский) 3:

since 1937. four of the film - "уфа»," терра», "and" тобис» бавария» - were in the hands of the state, the propaganda ministry kept under control all filmmaking. it is interesting that in this field ".goebbels had greater restraint. he knew that for most people the film is the way to escape from reality.and because of his зна¬чение to raise certain feelings and thoughts is particularly high. knew goebbels and that a direct promotion to the screen can cause conflicting emotions and feelings of protest.therefore, he demanded from propaganda films of high artistic merit, which would allow them to express ideas in the subconscious of the audience.in this sense, the film was "квекс of гитлерюгенда» (1933). a teenager from working families is the communist youth organization, but dreams of гитлерюгенде. and his dream comes true.however, a nazi leaflets kid dies from a knife бое¬вика of communist party. excellent camerawork and good music brought the band a well deserved popularity.in the movie "friedrich schiller, the triumph of genius" (1940), the young poet struggles against the tyrannical duke, protecting the freedom of artistic creation. on the one hand, it is not цензурные remain in the framework of the third reich.on the other hand, the image of literary genius, боровшегося against the reactionary government freedom of germany, might cause the political genius боровшимся against the weimar republic.
it is a vicious anti semitic movie "the жид» (1940), subtitled copies of which the nazis were all conquered by european countries.in the stressed film documentary style portrayal of jews creatures, помешавшимися on money.horrific scenes of ritual killings of animals have been called "horror" садизму» aryan's jewish faith.
peculiar to many films, in time of war ("i обвиняю»,"ritual" самопожертвования», kolberg et al.) was the collapse of the third reich смерти.близившийся made talk about redemption through death and redemption the blessing for the inviolability of their faith. "