It's taken a few years and many rev

It's taken a few years and many revisions to get that way. Prelude opened at the Helen Hayes Theatre in May with Timothy Hutton and Mary-Louise Parker. Earlier the play was produced at South Coast Repertory and Berkeley Rep in 1988 and, earlier this year, Off-Broadway at Circle Repertory Company, where it was "the most sought-after ticket in Manhattan," according to The New York Times. The limited run at Circle Rep generated so much excitement that it prepared Broadway.
В In Prelude to a Kiss, Craig Lucas's modern romantic fairy tale, a sleepless beauty asks her groom (жених) on their wedding day whether he will love her when she's "a hundred years old with a moustache and yellow teeth." He assures her that he will. It's only a matter of days before he gets the chance to prove it.
С Prelude examines love and responsibility, all the while thinking over if we ever really know anyone. The characters may journey through never-never land in the process, but their thoughts and emotions are so funny, touching and true that the play moves easily from reality to fantasy without a hint of artifice (выдумка).
D Unlike such traditional fairy tales as The Sleeping Beauty, in which a kiss breaks a spell (заклинание) and provides the story with its res­olution, the kiss in Prelude casts a spell (накладывать заклятие) of sorts and is the transforming moment in the play. An old man comes into the wedding reception, gives a kiss to the bride and, in so doing, exchanges souls (душа) with her. The newlyweds, Rita and Peter, go off on their honeymoon, but within 24 hours Peter is staring at his wife and wondering aloud, "Who the hell is she, anyway?" She looks like she never sleeps, but he senses something is very wrong. And it isn't long before he discovers that Rita and the old man have switched bodies.

Результаты (английский) 2:

It's taken a few years and many revisions to get that way. Prelude opened at the Helen Hayes Theatre in May with Timothy Hutton and Mary-Louise Parker. Earlier the play was produced at South Coast Repertory and Berkeley Rep in 1988 and, earlier this year, Off-Broadway at Circle Repertory Company, where it was "the most sought-after ticket in Manhattan," according to The New York Times. The limited run at Circle Rep generated so much excitement that it prepared Broadway.
In In Prelude to a Kiss, Craig Lucas's modern romantic fairy tale, a sleepless beauty asks her groom (bride) on their wedding day whether he will love her when she's " a hundred years old with a moustache and yellow teeth. " He assures her that he will. It's only a matter of days before he gets the chance to prove it.
With the Prelude examines love and responsibility, all the while thinking over if we ever really know anyone. The characters may journey through never-never land in the process, but their thoughts and emotions are so funny, touching and true that the play moves easily from reality to fantasy without a hint of artifice (fiction).
D Unlike such traditional fairy tales as The Sleeping Beauty, in which a kiss breaks a spell (spell) and provides the story with its resolution, the kiss in Prelude casts a spell (spell cast) of sorts and is the transforming moment in the play. An old man comes into the wedding reception, gives a kiss to the bride and, in so doing, exchanges souls (soul) with her. The newlyweds, Rita and Peter, go off on their honeymoon, but within 24 hours Peter is staring at his wife and wondering aloud, "Who the hell is she, anyway?" She looks like she never sleeps, but he senses something is very wrong. And it is not long before he discovers that Rita and the old man have switched bodies.

Результаты (английский) 3:

it's taken a few years and many revisions to get that way. Prelude opened at the helen hayes theatre in may with timothy hutton and mary - louise parker. earlier the play was produced at south coast Repertory and berkeley rep in 1988 and, earlier this year, off broadway at the circle Repertory company, where it was "the most sought after ticket in manhattan," according to the new york times.the limited run at circle rep generated so much excitement that it prepared broadway.
in Prelude to a kiss, craig lucas's modern romantic fairy tale, a sleepless beauty asks her groom (groom) on their wedding day whether he will love her when she's "a hundred years old, and a moustache and yellow teeth." i don't assures her that he will.it's only a matter of days before he gets the chance to prove it. Prelude examines
with love and responsibility, all the while thinking over if we ever really know anyone. the characters may journey through never never land in the process, but their thoughts and really are so funny, and quite true that the play moves easily from reality to fantasy and out of the artifice (fiction).d if such a fairy, because as the sleeping beauty, in which a kiss breaks the spell (spell) and provides the story with its res­olution, the kiss in Prelude casts a spell (cast a spell of sorts and is the transforming moment in the play. an old man comes into the wedding reception, gives a kiss to the bride and, in so doing,exchanges souls (soul) with her. the newlyweds, rita and peter, go off on their new, but within 24 hours peter is barely left quinn at his wife and wondering aloud, "who the hell is she, anyway?" she looks like she never sleeps, but he senses something is very wrong. and it isn't long before he discovers that rita and the old man have switched bodies.