ОБ ОДНОМ НЕРЕАЛИЗОВАННОМ ЗАМЫСЛЕ И.

ОБ ОДНОМ НЕРЕАЛИЗОВАННОМ ЗАМЫСЛЕ И.С. ТУРГЕНЕВА: НА ПУТИ ОТ «СТАРОЙ МАНЕРЫ» К «НОВОЙ»

В статье речь идет об одном нереализованном замысле Тургенева, который в науке о творчестве писателя до сих пор не описан и не включен в контекст тех творческих задач, которые он ставил перед собой в начале 1850-х годов. В это время Тургенев задумывается о смене творческой стратегии, решает свернуть в сторону от того направления, который ему открылся в «Записках охотника». Прежнее творчество он называет «старой манерой» и ставит перед собой амбициозные цели создать большую художественную форму, которая бы позволила ему представить человека крупнее и ярче. Он ищет сюжеты и героя. Какое-то время, в течение 1852–1853 гг., его интерес еще связан с народным характером (повести «Муму» и «Постоялый двор»), но народная тема его полностью не удовлетворяет, Тургенев признается себе в том, что он к ней не готов. Одной из последних попыток писателя приступиться к тайнам простого человека является рассмотренный в статье сюжет о дворовом живописце и поэте, сочинившем пасхальное стихотворение. Само стихотворение с высокой долей вероятности принадлежит раннему Тургеневу. Однако мистификация была разоблачена друзьями писателя, а сам он постепенно разочаровался в том, что идея его будущей повести представить личность одновременно простую, но душевно и духовно прозорливую и творческую, может быть реализована. После этой неудачи Тургенев увереннее поворачивается в сторону «новой манеры», иного типа героя и сюжета, который определяется любовным проблемно-тематическим комплексом. Однако в позднем творчестве писатель вернется к сложным духовно-психологическим задачам, которые хотел бы разрешить, но не сумел, в истории с автором Пасхального стихотворения.

Результаты (английский) 1:

ONE unrealized designs of IS TURGENEV: On the way from the "old style" to the "new"

The article is about one of Turgenev's unrealized conception that in the science of the writer's works have not yet been described and is not included in the context of the creative tasks he set himself at the beginning of the 1850s. At this time, Turgenev think about changing creative strategy, decides to turn away from that direction, which he opened in "Notes of a Hunter". Previous work he calls "old style" and has set itself ambitious targets to create a great art form, which would have allowed him to imagine anyone bigger and brighter. He seeks stories and hero. For a while, during the 1852-1853 years., His interest still associated with the national character (story "Mumu" and "inn"), but it is not popular theme perfectly, Turgenev recognized himself that he went to her not ready. One of the last attempts of the writer proceeded to the mysteries of the common man is considered in the article story about the yard painter and poet, composed a poem Easter. Poem itself with high probability belongs early Turgenev. However, the hoax was exposed by friends of the writer, and he gradually gave up on that idea of ​​his future novels present personality at the same time simple, but emotional and spiritual insight and creativity, can be realized. After this failure Turgueneff confident rotated towards the "new manner", another type of character and the scene which is determined amorous Topical complex. However, in the later works of the writer returns to the complex spiritual and psychological problems, which would allow, but could not, in the history of the author of the Easter poem.

Результаты (английский) 2:

I.S. TurgeNEV: ON THE WAY FROM "THE GOOD MANER" to "NEW"

The article refers to one unrealized idea of Turgenev, which in the science of the writer's work is still not described and not included in the context of the creative tasks that he set for himself in the early 1850s. At this time Turgenev thinks about changing his creative strategy, decides to turn away from the direction that he opened in "Notes of the Hunter." He calls his former work "old manner" and sets ambitious goals to create a large artistic form that would allow him to imagine a person larger and brighter. He's looking for plots and a hero. For a while, during 1852-1853, his interest is still connected with the folk character (the novel "Mumu" and "The Inn"), but the national theme does not fully satisfy him, Turgenev admits to himself that he is not ready for it. One of the last attempts of the writer to begin the mysteries of the common man is the story considered in the article about the court painter and poet who wrote the Easter poem. The poem itself is likely to belong to the early Turgenev. However, the hoax was exposed by the writer's friends, and he gradually became disillusioned that the idea of his future story to present a personality at the same time simple, but spiritually and spiritually visionary and creative, can be realized. After this failure, Turgenev turns more confidently towards a "new manner," a different type of hero and plot, which is determined by a love problem-themed complex. However, in his later work, the writer will return to the complex spiritual and psychological tasks that he would like to solve, but failed, in the story with the author of the Easter poem.

Результаты (английский) 3:

An unrealized plan Turgenev: from "old style" to "new style"
This article involves an unrealized conception of turgenov, which has not been described in the science of writer's creation, nor included in the scope of his creation task. In the early 1850s, it was a great achievement. At this time, Turgenev considered changing his creative strategy and decided to deviate from the direction opened up in the hunter's notes. He called his previous creation "old-fashioned" and set himself an ambitious goal of creating a larger and brighter art form that would make him more representative of people. He's looking for stories and heroes. For a while, during 1852-1853, his interest was still related to the nature of folklore):) the novella mummy and the guest courtyard ", but its folk themes were not fully satisfied. Turgenev admitted that he was not ready. One of the mysteries that the writer recently tried to reach out to ordinary people is the Easter poem he discussed in an article about yard painters and poets. This poem is likely to belong to the early Turgenev. However, the author's friends have exposed this deception, and he is gradually disappointed that the idea of his future novel is simple. But spiritual and spiritual vision and creativity can be achieved. After the failure, Turgenev more confidently turned to "the new way", a different type of hero and plot, which is defined by the complex subject of love. However, in later works, the writer will return to the complex spiritual psychological problems he wants to solve, but he can't, in the history of the author of his Easter poems.