The central rite is performed in da

The central rite is performed in darkness (see below for a discussion of the nighttime setting of Shinto funerals). The lights are extinguished, and the priest stands in front of the coffin. The reiji has been placed before the coffin. The priest removes the cloth covering from the reiji and faces the reiji toward the coffin. He may go right up to the coffin, open a small window in the coffin that allows one to see the face of the deceased and hold the reiji near the face (so that the deceased can “see” the reiji? or because the vital spirit comes out with the breath?). The priest may wear a gauze mask over his mouth and nose, so that his own mortal breath (or, worse, spit) cannot defile the memorial tablet or the spirit of the deceased. At the same time, the mask protects the priest from the impurity of the corpse.
This ambiguity — deceased as divine, corpse as polluted — is evident at several points in the Shinto funeral. The priest recites the appropriate prayer, which effectively moves the spirit from the corpse to the reiji — from its fleshly housing to its new abode in the spirit tablet. The priest puts the cover back on the reiji. After the spirit has been installed, the tablet is placed in the temporary ancestral altar. The mourners maintain silence during this rite. Now the lights can be turned back on.
4. The priests and others sit in front of the temporary ancestral altar.
5. Offerings are presented. During this time, musicians may play particular gagaku music used only during wakes and funerals.
7. The priest offers another prayer. This prayer is intended to pacify the spirit of the deceased.
8. Offering of tamagushi [see previous entry for Shinto Death 6].
9. The offerings are removed (or they may be left out).
10. The chief priest bows once. The priests leave the site.

Результаты (английский) 1:

The central rite is performed in darkness (see below for a discussion of the night time setting of Shinto funerals). The lights are extinguished, and the priest stands in front of the coffin. The reiji has been placed before the coffin. The priest removes the cloth covering from the reiji and faces the reiji toward the coffin. He may go right up to the coffin, open a small window in the coffin that allows one to see the face of the deceased and hold the reiji near the face (so that the deceased can "see" the reiji? or because the vital spirit comes out with the breath?). The priest may wear a gauze mask over his mouth and nose, so that his own mortal breath (or, worse, spit) cannot defile the memorial tablet or the spirit of the deceased. At the same time, the mask protects the priest from the impurity of the corpse.This ambiguity is deceased as divine, corpse as polluted — is evident at several points in the Shinto funeral. The priest recites the appropriate prayer, which effectively moves the spirit from the corpse to the reiji — from its fleshly housing to its new abode in the spirit tablet. The priest puts the cover back on the reiji. After the spirit has been installed, the tablet is placed in the temporary ancestral altar. The mourners maintain silence during this rite. Now the lights can be turned back on.4. The alone and others sit in front of the temporary ancestral altar.5. Offerings are presented. During this time, the musicians may play particular gagaku music used only during wakes and funerals.7. The game offers another prayer. This prayer is intended to pacify the spirit of the deceased.8. Offering of tamagushi [see previous entry for a Shinto Death 6].9. The offerings are removed (or they may be left out).10. The chief priest bows once. The leave the site alone.

Результаты (английский) 2:

The central rite is performed in darkness ( see below for a discussion of the nighttime setting of Shinto funerals). The lights are extinguished, and the priest stands in front of the coffin. The reiji has been placed before the coffin . The priest removes the cloth covering from the reiji and faces the reiji toward the coffin. He may go right up to the coffin , open a small window in the coffin that allows one to see the face of the deceased and hold the reiji near the face (so that the deceased can "see" the reiji? Or because the vital spirit comes out with the breath?). The priest may wear a gauze mask over his mouth and nose, so that his own mortal breath (or, worse, spit) can not defile the memorial tablet or the spirit of the deceased. The Same time the At, the mask protects the priest from the impurity of the corpse.
This ambiguity - as with the deceased divine, as with polluted by corpse - is Evident AT Several points in the a Shinto the funeral. The priest recites the appropriate prayer, which effectively moves the spirit from the corpse to the reiji - from its fleshly housing to its new abode in the spirit tablet. The priest puts the cover back on the reiji. After the spirit has been installed, the tablet is placed in the temporary ancestral altar. The mourners maintain silence during this rite. Now the lights can be turned back on .
4. The priests and others sit in front of the temporary ancestral altar.
5. Offerings are presented. During this time, musicians may play particular gagaku music used only during wakes and funerals.
7. The priest offers another prayer. This prayer is intended to pacify the spirit of the deceased.
8. Offering of tamagushi [see previous entry for Shinto Death 6].
9. The offerings are removed (or they may be left out).
10. The chief priest bows once. The priests leave the site.