Мы пользуемся музыкальным слухом, п

Мы пользуемся музыкальным слухом, причем, очень точным, постоянно. Без него мы не узнавали бы людей по голосу. А ведь по голосу мы можем сказать о своем собеседнике еще очень многое. Он дает нам возможность определять, какое настроение у человека, с которым мы разговариваем, можно ли ему доверять и многое другое. Невербальные, то есть несловесные, характеристики речи дают нам порой гораздо больше информации, чем сказанные слова.

Можно ли в таком случае говорить, что у кого-то нет музыкального слуха? Да конечно, нет! У каждого человека, который самостоятельно научился говорить, есть музыкальный слух.

Отсутствие музыкального слуха - такая же редкость, как, например, врожденная слепота!

Конечно, у кого-то он может быть развит очень хорошо, а у кого-то похуже, но у подавляющего большинства людей музыкальный слух развит вполне достаточно, чтобы заниматься музыкой и достигать прекрасных результатов без специальных усиленных тренировок по развитию музыкального слуха. Проблема в том, что очень часто о музыкальных способностях судят по умению человека петь. Не умеешь петь - значит "медведь на ухо наступил", "нет музыкального слуха".

Но ведь чтобы петь, мало хорошо слышать. Нужно еще уметь хорошо владеть своим голосом. А управлению голосом нужно учится так же, как рисовать, танцевать или плавать.

А, кроме того, если Вы слышите, что поете плохо, то уж со слухом-то у Вас точно все в полном порядке!

И, наконец, если Вы любите музыку, слушаете ее, значит у Вас нормальный музыкальный слух, можете, на этот счет, не беспокоится.

Музыкальный слух, как любая функция нашего организма (например, умение плавать), развивается только тогда, когда мы им активно пользуемся. Если Вы будете играть на музыкальном инструменте или петь, это поможет Вам быстро развить музыкальный слух. Кстати, Дмитрий Кабалевский посвятил свою жизнь развенчиванию мифа об уникальности музыкального слуха. Он разработал целую систему, доказывавшую, что обучать музыке можно и нужно каждого человека. И результаты его деятельности показали, что успешно заниматься музыкой может практически любой человек.

Развитием музыкального слуха занимается спец. дисциплина — сольфеджио, однако активно музыкальный слух развивается прежде всего в процессе музыкальной деятельности.

Один из методов развития интонационного слуха - через движение, дыхательные практики и танец. Различные проявления музыкального слуха изучаются в музыкальной психологии, музыкальной акустике, психофизиологии слуха. Слух диалектично связан с общей музыкальностью, выражающейся в высокой степени эмоциональной восприимчивости музыкальных явлений, в силе и яркости вызванных ими образных представлений и переживаний.

Если у вас есть желание заниматься музыкой в том или ином виде, отбросьте всякие сомнения в своих способностях, действуйте, учитесь, и успех обязательно придет к вам!

Результаты (английский) 1:

We use musical ear, and very accurate, constantly. Without it we would not have recognized people's voice. But the voice we can say about his interlocutor is still very much. It gives us the ability to determine what the mood of the person with whom we speak, you trust it and much more. Non-verbal, non-verbal, i.e. speech characteristics sometimes give us much more information than the spoken word.Whether it is possible in this case to say that someone does not have a musical ear? Yes of course not! Each person who independently learned to speak, there's a musical ear.Lack of ear-the same rarity, such as congenital blindness!Of course, someone he can be developed very well, and someone worse, but the vast majority of people have a musical ear is developed enough to make music and achieve excellent results without special enhanced training on the development of musical ear. The problem is that very often on musical abilities are judged by the human ability to sing. Can't sing-means "bear ear came", "no ear".But to sing, little good to hear. You should still be able to be well versed in his voice. And voice management needs to learns just how to draw, dance or swim.And besides, if you hear that sing poorly, then hearing something you exactly everything in perfect order!And finally, if you like the music, listen to it, it means you have a normal ear, can, on this account, no worries.Musical ear as any function of the body (e.g., the ability to swim), develops only when they actively use. If you play an instrument or sing, it will help you quickly develop your musical ear. By the way, Dmitry Kabalevsky has devoted his life to the razvenčivaniû myth about the uniqueness of musical ear. He developed a whole system, dokazyvavšuû, that teach music can and should be everyone. And its results showed that music can successfully engage in almost anyone.Development of musical ear deals specials. solfeggio discipline, but active musical ear develops first of all in the process of musical activity.One of the methods of development of prosodic hearing-through movement, breathing practices, and dance. Various manifestations of musical ear in music psychology, music acoustics, psychophysiology of hearing. Hearing dialektično is associated with a shared musicality through highly emotional susceptibility of musical phenomena, strength and brightness of the resulting shape perceptions and experiences.If you have the desire to play music in one form or another, eschew all sorts of doubt in his abilities, Act, learn, and be sure to success will come to you!

Результаты (английский) 2:

We use musical ear, and very accurate, constantly. Without it, we would not recognize the voice of the people. But the voice we can say about his interlocutor still much. It gives us the opportunity to determine what the mood of the person with whom we are talking, if he could be trusted and more. Non-verbal, that is non-verbal, characteristics of speech sometimes give us much more information than spoken words. Can we in this case to say that someone does not have a musical ear? Yes, of course not! Every man who taught himself to speak, have a musical ear. The lack of an ear for music - is as rare as, for example, congenital blindness! Of course, someone it can be developed very well, and someone worse, but the vast majority of people developed musical ear is enough to study music and achieve great results without any special enhanced training for the development of musical ear. The problem is that very often about the musical abilities of man is judged by the ability to sing. Do not know how to sing - it means "bear's ear has come", "do not have a musical ear." But to sing a little good to hear. We should also be able to be proficient in his voice. A voice control you need to learn just how to draw, dance or swim. And, besides, if you hear the singing is bad, it really hearing something you exactly everything is in order! And finally, if you love music , listen to it, then you have a normal ear for music, can, in this respect, is not worried. The musical ear as any function of the body (eg, the ability to swim), occurs only when we use them actively. If you play an instrument or sing, it will help you to quickly develop an ear for music. By the way, Dmitry Kabalevsky dedicated his life to debunking the myth of the uniqueness of a musical ear. He developed a whole system, proves that teaching music can and should each person. And its results have shown that music can successfully deal with almost anyone. The development of musical ear special deals. discipline - ear training, but actively develops ear for music especially during musical activities. One of the methods of intonation hearing - through movement, breathing practices, and dance. Various manifestations of musical ear studied in music psychology, musical acoustics, psycho-physiology of hearing. Hearing dialectically linked to the overall musicality, expressed a high degree of emotional susceptibility of musical phenomena in power and brightness caused by their imaginative ideas and experiences. If you have the desire to make music in one form or another, give up all doubts about their abilities, act, learn and success will come to you!

Результаты (английский) 3:

we use musical ear, and very accurate all the time. without him, we don't know the people's voice. indeed, we can say its собеседнике still very much. he gives us the opportunity to determinewhat kind of mood the person we're talking, we can trust him and much more. the non-verbal, is несловесные, characteristics of speech, give us some more information than their words.

if we can then say that someone have an ear for music? of course, no! every person who independently learned to have an ear for music.

the lack of musical hearing is as rare as, for example, congenital blindness.

of course, someone he can be developed very well, and some are worse.but the overwhelming majority of the people the music hearing evolved enough to do music and achieve excellent results without special strengthened training to develop an ear for music.the problem is that very often the musical ability is judged by the ability of people to sing. don't know how to sing is "out of tune", "no musical hearing."

but to sing a little good to hear.need to be able to good use your voice. and management of voice need to learn so as to draw, dance or swim.

and, in addition, if you can hear me, i sing badly.i hear that you're all fine!

and, finally, if you love music, listening to her, then you have a musical ear, can, on this account, don't worry.

the music hearinglike any function of the body (for example, the ability to swim), develops only when they actively use. if you play a musical instrument or sing