Lady Elizabeth Delme and Her Childr

Lady Elizabeth Delme and Her Children" by Reynolds is a typical family group portrait in the Grand Style of English portrait painting. Lady Delme was the wife of a member of Parliament and belonged to the privileged class of the landed nobility. Here, with an air of apparently casual informality, she is shown on the terrace before her country-house, while behind stretch the broad acres of her family estate.
Reynolds has taken care that the gestures, facial expressions, and poses of his subjects are appropriate to their age, character, and social status. "The joy of a monarch," Dryden once wrote, "for the news of a victory must not be expressed like the ecstasy of a harlequin on the receipt of a letter from his mistress." So, in this portrait, Lady Delme is dignified and gracious, secure in the knowledge of her beauty and wealth. Her son John, aged five, as if sensing the responsibilities of manhood, gazes sternly toward the distant horizon. Her other son, Emelias Henry, in unmasculine skirts as befits his three years, is coy and winsome. The fourth member of the group, the unkempt Skye terrier, is the embodiment of loyal affection. Note the simplicity of the pyramidal design and the low-keyed colour scheme. These features were for Reynolds symbols of dignity and good taste.

Результаты (английский) 1:

Lady Elizabeth Delme and Her Children by Reynolds is a typical family group portrait in the Grand Style of English portrait painting. Lady Delme was the wife of a member of Parliament and belonged to the privileged class of the landed nobility. Here, with an air of apparently casual informality, she is shown on the terrace before her country-house, while behind the broad stretch acres of her family estate.Reynolds has taken care that the gestures, facial expressions and poses of his subjects are appropriate to their age, character, and social status. "The joy of a monarch," Dryden once wrote, "for the news of a victory must not be expressed like the ecstasy of a harlequin on the receipt of a letter from his mistress." So, in this portrait, Lady Delme is dignified and gracious, secure in the knowledge of her beauty and wealth. Her son John, aged five, as if sensing the either of manhood, gazes sternly toward the distant horizon. Her other son, Henry Emelias, in skirts unmasculine as befits his three years, is coy and winsome. The fourth member of the group, the unkempt Skye terrier, is the embodiment of loyal affection. Note the simplicity of the pyramidal design and the low-keyed colour scheme. These features were for Reynolds symbols of dignity and good taste.

Результаты (английский) 2:

Lady Elizabeth Delme and Her Children "by Reynolds is a typical family group portrait in the Grand Style of English portrait painting. Lady Delme was the wife of a member of Parliament and belonged to the privileged class of the landed nobility. Here, with an air of an Apparently of casual informality, she is Shown on the terrace the before HER country-house, 'while' behind stretch the Broad acres of HER family estate,.
by Reynolds has taken care That the gestures, the facial expressions, and poses a of a His subjects For are Appropriate to Their age, character, and social status. "the joy of a monarch," Dryden once wrote, "for the news of a victory must not be expressed like the ecstasy of a harlequin on the receipt of a letter from his mistress." So, in this portrait, Lady Delme is dignified and gracious , secure in the knowledge of her beauty and wealth. Her son John, aged five, as if sensing the responsibilities of manhood, gazes sternly toward the distant horizon. Her other son, Emelias Henry, in unmasculine skirts as befits his three years, is coy and winsome. The fourth member of the group, the unkempt Skye terrier, is the embodiment of loyal affection. Note the simplicity of the pyramidal design and the low-keyed colour scheme. These features were for Reynolds symbols of dignity and good taste.

Результаты (английский) 3:

lady elizabeth Delme and her children by reynolds is a typical family group portrait in the grand style of english portrait painting. lady Delme was the wife of a member of parliament and) to the privileged class of the landed nobility. here, with an air of casual informality position, she is shown on the terrace before her country house, while behind stretch the hard heart of her family estate.reynolds has taken care that the nicer, facial expressions, and poses of his subjects are appropriate to their age, character, and social status. " the joy of a monarch, "Dryden once wrote," the news of a victory must not be expressed in the ecstasy of a harlequin on the receipt of a letter from his mistress. "so, in this portrait, lady Delme is dignified and gracious, secure in the knowledge of her beauty and wealth. her son john, aged five, as if sensing the responsibilities of manhood, gazes sternly toward the distant horizon. her other son, Emelias henry, in unmasculine skirts as befits for three years, is coy and winsome. the fourth member of the group, the unkempt skye terrier, is the embodiment of loyal affection. note the city of the pyramidal design and the low keyed strange system. these features were for reynolds symbols of dignity and good taste.